Thursday, November 19, 2015

Sparrows (1926)


































  Molly lives imprisoned in a child farm. Somewhere in the swampy areas of U.S.A, her master kidnaps small children and forces them into hard labor. When her master kidnaps a small baby but decides to dispose of it, Molly collects her strength and as the oldest child she tries to escape together with the rest of the children...
  Oh boy, oh boy! William Beaudine's filmography as a director is sure one long list with a couple of cult classics inside too! 'Sparrows' is not exploitation of course but definitely deserves a look or two. A classic example of its era's cinema, this film is a dramatic story that cries for its happy ending. I knew movies back then had more serious subjects but the subject of child labor/ child farm shocked me at first. In the end, the story unfolds so nice (with the help of some pretty good photography) that you are left with a warm sentiment of good-beats-evil-after-all. They don't make them like that any more!
  In films like that, acting is expected to be much more theatrical than film-like and that makes sense as back then theater was the standard and cinema was still tested. Nevertheless, this means that actors had to be even more expressive in their movements and body language since films had no sound. Every time a film like 'Sparrows" takes my time I get happily surprised again and again by the acting! Mary Pickford, who plays Molly, among other things she did in her vast career, reached out to become a pioneering symbol in cinema, her style and persona adored for years after her death too. Watch this film and observe how powerful she seems and yet so feminine. Back then, feminism was more feminist than now!
Must watch this :  on a random April afternoon together with some season fruits and a cup of Earle Grey tea. Ideally, some American blend tobacco would do the trick too!
Trailer
http://www.imdb.com/title/tt0017423/?ref_=fn_al_tt_2
Gimme my Nutella back
Never leave her wet and unsatisfied
Those camera filters, oh man!

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